A work in constant progress (and occasional regress).
Birthplace:
Mold, Clwyd, Wales
Rebecca Lee is known for The Cleaner (2021), Call the Midwife (2012) and The B@it (2019). Rebecca trained at the Guildhall School of Music and Drama. Her stage credits include Tanya in Jerusalem, Viola in Twelfth Night (Watermill Theatre), Franny in Small Island (National Theatre), Lily in The First Man (Jermyn St Theatre). Rebecca was nominated for the Ian Charleston award for Friar Lawrence in Romeo and Juliet at the Watermill. Her TV credits include Babs (BBC), Sparks (Channel 4) and she has voiced commercials for Calm (2019) and The Body Shop (Christmas 2020). She has recorded numerous audiobooks including Crossfire by Malorie Blackman, The Wintering by Catherine May, Cream Buns and Crime by Robin Stevens and video games including Umbra In Sea of Thieves.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.