A work in constant progress (and occasional regress).
Alias:
Charlotte Packham
Birthplace:
Leytonstone, London, England
Charley is a filmmaker, freelance Producer and co-founder of COOC Productions, developing a slate of scripted narrative projects in Los Angeles and London. She established her company in 2018 after being selected as a finalist for MIPTV and Canneseries In Development competition for teen series CLASS A, now in development with Boat Rocker Studios (BILLIE EILISH: THE WORLD’S A LITTLE BLURRY). In 2023, Charley was selected for Disney’s Star Imagine UK incubator programme to produce LIONHEAD with Disney and the National Film and Television School which premiered at BAFTA & Oscar Qualifying BFI London Film Festival and will be available on Disney+. She also produced drama short SOUTH FACING commissioned by the BFI Network and Film London screening at various festivals including The Shortest Nights, EFN, Fragments and BFI London Film Festival 2023. She is a member of BAFTA Connect North America, a BFI Network X BAFTA Crew producer, BFI x NFTS Film Academy alumni and mentor for The Equity List, Media Trust and Screenskills to improve accessibility and diversity in the screen industries. In 2021 she was awarded a ScreenSkills bursary to strengthen her knowledge in scripted narrative work and the same year, COOC was chosen for both the Re:Create and Virgin StartUp Ready, Steady, Grow business development programmes. Her short films have been selected at over 35 film festivals globally where she received nominations for Best Producer and a Royal Television Society Southern Award. She has a decade of production experience across broadcast and award-winning promos, commercials and branded content with clients including: TikTok, Disney, BBC, Sony Music, Warner Bros, FIFA, NBA and Formula E and producing music videos for artists including Rag ‘n’ Bone Man and The Snuts.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.