Jeffrey Hartmann

A work in constant progress (and occasional regress).

Andres Roa

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Alias:
Jaime Andres Roa Ariza

Birthplace:
Armenai, Quindío, Colombia

Biography from TheMovieDB

With more than 14 years of experience in the advertising and audiovisual Colombian industry, Roa has become one of the most outstanding filmmakers from the Andean Region of the country, working for different colombian advertising agencies such as SANCHO BBDO, LEO BURNETT, HAVAS MEDIA, FANTASTICA, and JUNE&JULY, and exporting his work to other companies in Mexico, Italy and USA like 76WORDS from Washington DC. Creator of the "ASUSTO COLOMBIANO" Sub-genre and founder of ROA&FILMMAKERS CREW, producer company that has become in a big showcase for the local cinema in several festivals and international spaces. Winner of almost a hundred awards in advertising and films around the world. Colaborator of different projects of outstanding brands and characters like Edson Velandia, Rap Bang Club, Common (Chicago Mayor Endorsement, USA), Joe Biden (USA Presidencial Campaign). Producer associated with CARACOL CINE and DAGO GARCÍA PRODUCCIONES for his most recent production: RAPUNZEL, EL PERRO Y EL BRUJO.

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Additional information:

The Search Form

Film Production

Director:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Editor:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Executive Producer:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Producer:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Script:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Sound Designer:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

Writer:
2019  Guaquero
2020  El arrimo
2021  Desolvido
2024  Rapunzel, The Dog and The Warlock

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.