A work in constant progress (and occasional regress).
Daniel V. Masciari is an award-winning filmmaker who unearths magic in seemingly mundane moments of the human experience. The son of an Italian immigrant, Masciari grew up outside of Boston. Fascinated by film's unique ability to tell stories earnestly and intimately, Masciari began shooting and directing his friends at age eleven using the Canon ZR-100 camera his parents gave him. By twenty-two, Variety selected him as one of 110 students who "represent the future of film, media and entertainment." By twenty-four, he had already edited his first feature film, which was profiled in Filmmaker Magazine. His debut feature film Stationed At Home premiered internationally at the Glasgow Film Festival in March 2025.
Cinematography:
2022 The End of a Thing
Co-Producer:
2022 Sammy Waits for a Call
2022 The End of a Thing
Director:
2022 Sammy Waits for a Call
2022 The End of a Thing
2025 Stationed At Home
Editor:
2022 Dark Mode
2022 Sammy Waits for a Call
2022 The End of a Thing
2024 Citrinitas
2025 Stationed At Home
Producer:
2022 Dark Mode
2022 Sammy Waits for a Call
2022 The End of a Thing
2024 Citrinitas
2025 Stationed At Home
Production Design:
2022 Dark Mode
2022 Sammy Waits for a Call
2022 The End of a Thing
2024 Citrinitas
2025 Stationed At Home
Sound Designer:
2022 Dark Mode
2022 Sammy Waits for a Call
2022 The End of a Thing
2024 Citrinitas
2025 Stationed At Home
Writer:
2022 Dark Mode
2022 Sammy Waits for a Call
2022 The End of a Thing
2024 Citrinitas
2025 Stationed At Home
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.