A work in constant progress (and occasional regress).
Alias:
Sohamcantdo
As a filmmaker and multidisciplinary artist, Soham's approach is rooted in auto-ethnography, employing film to intricately depict layered narratives for screen-audiences. Central to his artistic practice is the intimacy of human-relationships, delicately exploring family-histories, generational-trauma, new expressions of masculinity and the tensions and isolation of city-life. His works can also be read as expression/exploration of vulnerability, desire, and grief within confined environments. Soham is an Indian born, he moves to London to study filmmaking from University of the Arts London upon receiving a scholarship. His short form works have screened and won awards internationally and has been distributed online. Soham is also a member of BAFTA Connect and Directors UK.
Director:
2020 Stay Maybe? We Think We Made a Film
2021 AALO The Light
2022 Love Death and Eevrything In Between
2023 Isola by The Shivers
2024 Farewell
Director of Photography:
2020 Stay Maybe? We Think We Made a Film
2021 AALO The Light
2022 Love Death and Eevrything In Between
2023 Isola by The Shivers
2024 Farewell
Editor:
2020 Stay Maybe? We Think We Made a Film
2021 AALO The Light
2022 Love Death and Eevrything In Between
2023 Isola by The Shivers
2024 Farewell
Producer:
2020 Stay Maybe? We Think We Made a Film
2021 AALO The Light
2022 Love Death and Eevrything In Between
2023 Isola by The Shivers
2024 Farewell
Writer:
2020 Stay Maybe? We Think We Made a Film
2021 AALO The Light
2022 Love Death and Eevrything In Between
2023 Isola by The Shivers
2024 Farewell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.