A work in constant progress (and occasional regress).
Kate Oh is Creative Executive for television and film at Monkeypaw Productions. Prior to joining the company, she worked at HBO Max in the Original Programming - Drama department. She began her career at CAA in entertainment marketing before transitioning into management and production at Anonymous Content. Kate served as a steering committee member of the Women Wednesday’s inaugural BIPOC Mentorship Program and continues to support the program as a mentor to bolster BIPOC of all genders in the decision-making rooms of our industry. She was also a member of the inaugural class of the Time’s Up Entertainment: Who’s in the Room program geared towards empowering the next generation of producers and executives. Kate is a Bay Area native and USC alumna who spends her down time at the pottery studio.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.