A work in constant progress (and occasional regress).
Irene worked with Just Vision from 2008-2013, most recently serving as the Strategic Projects Coordinator, where she worked to expand the reach of the organization projects that tell the stories of nonviolent resistance and community organizers. Her work focused on transporting these projects into new media and mediums that transcend barriers to their impact. Irene Nasser is a media and television producer. Based in Jerusalem, she has worked both locally and abroad to report on the untold stories. Over the past few years, Irene has worked with Al Jazeera English, Al Jazeera America, New York Times Magazine, Newsweek, and many others. Irene was also a media producer with groups such as Activestills, a photographers collective focusing on civic and political change. In addition to speaking internationally about media, social media, and women's movements, Irene has trained and facilitated various groups on topics such as social media, women's issues, and advocacy. Previously, Irene was the Strategic Projects Coordinator at Just Vision. As part of her work at Just Vision, Irene produced and created an Arabic Graphic Novel, Budrus (based on a film directed by Julia Bacha), that tells the powerful story of 15-year-old Iltezam Morrar who mobilizes women in her village to join and lead an unarmed resistance campaign to save their village land from confiscation. Irene is also the co-producer of a series of short films, Home Front (Aspen ShortFest Official Selection 2012) as well as My Neighbourhood, (Winner of the 2012 Peabody Award, the 2012 Al Jazeera Documentary Film Festival Award, and Official Selection of the Tribeca Film Festival 2012, among many others). Irene is fluent in Arabic, Hebrew, and English and is the co-author of "Textbooks as a Vehicle for Segregation and Domination: State Efforts to Shape Palestinian Israelis' Identities as Citizens" in the Journal of Curriculum Studies (Vol. 40, 2008). She received an MA in International Service from American University, Washington, DC in 2007. Her thesis focused on the intersection of conflict and identity, and the role of oral history in forming the identity of Palestinians with Israeli citizenship.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.