A work in constant progress (and occasional regress).
Birthplace:
Porto Alegre, Rio Grande do Sul, Brazil
Born:
January 20, 2003
Art Department Assistant:
2022 Lado B
Assistant Director:
2022 Lado B
2023 Versions of Myself
Assistant Director of Photography:
2022 Confluence
2022 Lado B
2022 The Walls Between Us
2023 Versions of Myself
Compositor:
2022 Confluence
2022 Lado B
2022 The Walls Between Us
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Director:
2022 Confluence
2022 Lado B
2022 The Walls Between Us
2023 Night of Our Lives
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Director of Photography:
2022 Confluence
2022 Lado B
2022 The Walls Between Us
2023 Back in the Day
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Editor:
2022 Confluence
2022 Lado B
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Producer:
2022 Confluence
2022 Lado B
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Production Assistant:
2022 Confluence
2022 Lado B
2022 Minhas Vovós
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Second Assistant Camera:
2022 Confluence
2022 Lado B
2022 Minhas Vovós
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Second Assistant Director:
2022 Confluence
2022 Lado B
2022 Minhas Vovós
2022 Para Joana
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Still Photographer:
2022 Confluence
2022 Lado B
2022 Minhas Vovós
2022 Para Joana
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Honey, I'm Home
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 My Family Essay
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Writer:
2022 Confluence
2022 Lado B
2022 Minhas Vovós
2022 Para Joana
2022 Porto A Drag!
2022 The Walls Between Us
2023 Back in the Day
2023 Honey, I'm Home
2023 Just Try It
2023 Minhas Vizinhas são Bruxas
2023 My Family Essay
2023 Night of Our Lives
2023 Noite de Cinzas
2023 Não Esqueça de Lembrar
2023 Versions of Myself
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.