A work in constant progress (and occasional regress).
Born in Maceió and did grow in União dos Palmares, he has been working with culture in União dos Palmares since 2003 and is a black artist (MC, beatmaker, filmmaker, writer). His productions focus on the memory of black people and their cultural manifestations. He has taken part in various Brazilian audiovisual projects, including the Aqualtune Festival of Cinema and Afrofuturism held in Maceió and União dos Palmares, which he was hired to cover on video. He also took part in the organisation of the Ecofalante exhibition at the Federal University of the Recôncavo Baiano (UFRB - 2023), being responsible for the sessions that took place in the auditorium of the Centre for Arts, Humanities and Letters (CAHL - 2023), making of the feature film Look at Me 2025 by director Rafhael Barbosa. He was awarded the Elinaldo Barros prize in the Aldir Blanc public notice (2021) for an autobiographical short film called Habito, of which he is the director, scriptwriter and executive director. The film is currently in distribution, distributed by Selva Independente (producer of the film Trincheira), funded by SEBRAE Alagoas, co-produced by La Ursa cinematográfica (producer of the film Cavalo) and Eu Mesmo Filmes (producer and director). She is also a member of the research group SONatório - Laboratório de Pesquisa, Prática e Experimentação Sonora, supervised by Dr Marina Mapurunga de Miranda Ferreira, which is the sound director for the film Coffee with Cinnamon (Café com Canela), by Ary Rosa and Glenda Nicácio.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.