A work in constant progress (and occasional regress).
Cinematographer and Camera Operator. '28 Years Later' (Splinter Unit Camera Operator + Drone Camera Operator), 'Irvine Welsh: Reality is Not Enough' feature documentary DP, 'Riptide' feature drama DP, 'Marram' BBC TV broadcast Gaelic short, 'ASKA' starring Kate Dickie, 'Maturity' starring Joshua Haynes. Commercials Bacardi Global, John Lewis, Co-op, The Telegraph, LEGO, NHS, RBL, Decca Records. Other feature operating credits include Sky's 'Dead Shot' starring Felicity Jones, 'Zebra Girl', 'Night Kaleidoscope' and 'The Revolutionary Spirit', a Post-Punk documentary. Drone Camera Operator credits 'The Regime' (HBO), Black Mirror (Netflix), Vigil (BBC), The Buccaneers (Apple TV+), Outlander (Starz).
Camera Operator:
2014 Wigilia
2017 Night Kaleidoscope
2021 Lori and the Six Six Sixties
2021 Zebra Girl
2022 Beyond the Speed of Life
2023 Dead Shot
2025 28 Years Later
Director:
2014 Wigilia
2017 Night Kaleidoscope
2021 Lori and the Six Six Sixties
2021 Zebra Girl
2022 Beyond the Speed of Life
2023 Dead Shot
2023 Marram
2025 28 Years Later
Director of Photography:
2014 Wigilia
2017 Night Kaleidoscope
2020 Riptide
2021 Lori and the Six Six Sixties
2021 Zebra Girl
2022 Beyond the Speed of Life
2023 Dead Shot
2023 Marram
2025 28 Years Later
Gaffer:
2014 Wigilia
2017 Night Kaleidoscope
2020 Riptide
2021 Lori and the Six Six Sixties
2021 Zebra Girl
2022 Beyond the Speed of Life
2022 Too Rough
2023 Dead Shot
2023 Marram
2025 28 Years Later
Drone Operator:
2011 Black Mirror
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.