A work in constant progress (and occasional regress).
Birthplace:
Jacksonville, Florida, USA
Born:
January 15, 1995
John Osment is a southern-born filmmaker with a multidisciplinary background spanning art school, commercial film, and various creative fields. With expertise in editing, sound design, music composition, photography, and ancient Egyptian history, John brings a diverse skill set to his work in the world of commercial film.
Additional Editor:
2023 Hummingbirds
Director:
2023 Hummingbirds
2024 SUPERCRITICAL
Editor:
2021 star-crossed: the film
2023 Hummingbirds
2024 SUPERCRITICAL
Producer:
2021 star-crossed: the film
2023 Hummingbirds
2024 SUPERCRITICAL
Sound Designer:
2021 star-crossed: the film
2023 Hummingbirds
2023 Lichemoth
2024 SUPERCRITICAL
Writer:
2021 star-crossed: the film
2023 Hummingbirds
2023 Lichemoth
2024 SUPERCRITICAL
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.