A work in constant progress (and occasional regress).
Birthplace:
Tulsa, Oklahoma, U.S.
Born:
June 18, 2002
Grace Mills is a filmmaker from Tulsa, Oklahoma. She is the co-founder of Outhouse Productions, and is known for cinematography on A Post Production (2023), Thursday (2024), as well as directing for Grigsby (2024).
Additional Camera:
???? Paranoid
Assistant Director:
2019 Poolside
???? Paranoid
Chief Lighting Technician:
2019 Poolside
2024 Not That Simple
2024 Standoffish
???? Paranoid
Director:
2019 Poolside
2019 Swerve
2024 Grigsby
2024 Not That Simple
2024 Standoffish
???? Paranoid
Director of Photography:
2019 Poolside
2019 Swerve
2020 Boulder Hill
2022 Fireside Chats
2022 Sloth
2023 A Post Production
2024 Grigsby
2024 Not That Simple
2024 Standoffish
???? Paranoid
???? Thursday
First Assistant Camera:
2019 Poolside
2019 Swerve
2020 Boulder Hill
2022 Fireside Chats
2022 Sloth
2023 A Post Production
2024 Grigsby
2024 Not That Simple
2024 Standoffish
???? Paranoid
???? Thursday
Producer:
2019 Poolside
2019 Swerve
2020 Boulder Hill
2022 Fireside Chats
2022 Sloth
2023 A Post Production
2024 Grigsby
2024 Not That Simple
2024 Standoffish
???? Paranoid
???? Thursday
Second Unit Director:
2019 Poolside
2019 Swerve
2020 Boulder Hill
2022 Fireside Chats
2022 Sloth
2023 A Post Production
2024 Grigsby
2024 Not That Simple
2024 Standoffish
???? Neon
???? Paranoid
???? Thursday
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.