Uday Bangali (b. 1993)

Alias:
Md Inteajer E Jahan Uday

Birthplace:
Jamalpur, Bangladesh

Born:
November 20, 1993

Md Inteajer E Jahan Uday known as "Uday Bangali" was born on November 20, 1993 in Jamalpur district. While studying Mass Communication and Journalism, he began working as an assistant to filmmaker Redoan Rony. In 2017, Uday's journey as a television director began with the production of the television drama "Backspace". Kankaboti, Baisakhi Hawa, Chaileo Paina are some of his notable fictions. He has told stories of women, children and animal rights in short films like Where love based on hope, Fathomable and Proportional. Uday's films have been selected at various film festivals around the world, including the Lift-Off Global Film Festival in the UK and the Caribbean Film Festival in the US. In 2019, “Proportional” won “Best Short Film” by UN Women. Lutfar Rahman George, Dilara Zaman, Arman Parvez Murad, Sohel Arman, Aparna Ghosh, Irfan Sajjad, Urmila Srabanti Kar, Marzuk Russel, Chashi Alam, Sharmin Ankhi, Uzzal Kabir Himu are among the performers in his productions.

Additional information:

The Search Form


Creator:
2018  Backspace
2019  Boishakhi Hawa
2019  Proportion
2021  Kongkaboti
2021  The Last Man
????  Web Series

Director:
2018  Backspace
2019  Boishakhi Hawa
2019  Proportion
2021  Kongkaboti
2021  The Last Man
????  Web Series

Editor:
2018  Backspace
2019  Boishakhi Hawa
2019  Proportion
2021  Kongkaboti
2021  The Last Man
????  Web Series

Screenplay:
2018  Backspace
2019  Boishakhi Hawa
2019  Proportion
2021  Kongkaboti
2021  The Last Man
????  Web Series

Creator:
2021  Chaileo Pai Na

Director:
2021  Chaileo Pai Na

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.