A work in constant progress (and occasional regress).
Tony D'Amore, Senior Colorist and Director of Creative Workflow at Picture Shop. ASC Associate Member. With background in Features and Television, D'Amore has contributed color to several Emmy Award-winning projects nominated in the category of "Outstanding Cinematography." He has also been nominated for a Hollywood Post Alliance (HPA) award for outstanding color grading and has won the Filmlight Colour Award for Outstanding Color Grading. D'Amore has developed new and efficient workflows for Dolby Vision HDR and HDR10, coloring hundreds of hours of content for cable and streaming platforms such as HBO, Apple, Starz, Netflix, Hulu and Amazon. Also for network television including CBS, NBC, ABC and Fox
Digital Intermediate Colorist:
2025 Riff Raff
Colorist:
2012 Elementary
2014 Fargo
2015 Marvel's Daredevil
2015 Marvel's Jessica Jones
2016 Marvel's Luke Cage
2017 Legion
2017 Marvel's Inhumans
2017 Marvel's Iron Fist
2017 Marvel's Runaways
2017 Marvel's The Punisher
2018 Barry
2018 Marvel's Cloak & Dagger
2018 Mayans M.C.
2019 Carnival Row
2019 Hanna
2021 Walker
2023 Mrs. Davis
2024 Emperor of Ocean Park
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.