A work in constant progress (and occasional regress).
Birthplace:
Atlantic City, New Jersey, USA
Born:
December 31, 1938
Died:
October 31, 1995
From Wikipedia, the free encyclopedia. Rosalind Cash (December 31, 1938 – October 31, 1995) was an American singer and actress, whose best known film role was as Charlton Heston's character's love interest Lisa, in the 1971 science fiction cult classic, The Omega Man. To soap audiences, she is probably best remembered as Mary Mae Ward on General Hospital from 1994–1995. Cash was the second of four children. Her siblings were John (1936–1998), Robert, and Helen. All were born and raised in Atlantic City, New Jersey. Her older brother, Col. John A. Cash, enjoyed a long illustrious career with the United States Army. He died in 1998 and is buried in Arlington National Cemetery. Rosalind Cash graduated with honours from Atlantic City High School in 1956. She attended City College of New York and was an original member of the Negro Ensemble Company founded in 1968. Her career extended to stage, screen, and television. Her films included Klute (1971), The New Centurions (1972) with George C. Scott, Uptown Saturday Night (1974) with Sydney Poitier, and Wrong Is Right (1982). In 1995, she appeared in Tales from the Hood which marks her last film appearance during her lifetime. Cash was nominated for an Emmy Award for her work on the Public Broadcasting Service production of Go Tell it on the Mountain and in 1973 appeared as Goneril with James Earl Jones' Lear at the New York Shakespeare Festival. She died of cancer on October 31, 1995, at the age of 56. Description above from the Wikipedia article Rosalind Cash, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.