A work in constant progress (and occasional regress).
Birthplace:
Greensburg, Pennsylvania, USA
Lauren Keller is an award-winning, independent filmmaker based out of Pittsburgh, Pennsylvania. Her films have been screened worldwide in over 18 countries along with having her film, A Little Glass of Rum broadcasted on the television network, WQED. She dabbles in painting and photography, which has lead her work to have been displayed in the Westmoreland Museum of American Art. She graduated from Point Park University with a B.F.A. in Cinema Production with a focus in Cinematography and a minor in Photography. Keller has also touched into feature and commercial work, providing services for companies such as Netflix, Covalent, and Anthem Video.
Assistant Camera:
2022 Hysteria
Casting:
2022 A Little Glass of Rum
2022 Hysteria
Cinematography:
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
Colorist:
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
Costume Design:
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
Director:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2024 Down the Drain
???? Dark and Stormy
Director of Photography:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
???? Baked
???? Closing Time
???? Dark and Stormy
Editor:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
???? Baked
???? Closing Time
???? Dark and Stormy
Executive Producer:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
First Assistant Camera:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
First Assistant Director:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Foley Artist:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Gaffer:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Post Production Supervisor:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Producer:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Production Assistant:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Pivot Pals
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Second Assistant Camera:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Pivot Pals
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Writer:
2019 The Mourning After
2019 The Mourning After
2019 Wither
2020 Apparitional
2020 Symbiotix
2021 Tail Lights
2022 A Little Glass of Rum
2022 Hysteria
2023 Pivot Pals
2023 Taking the Edge Off
2023 Worth
2024 Down the Drain
2024 Godless Children
???? Baked
???? Chocolate Chip
???? Closing Time
???? Dark and Stormy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.