João Victor Montuori

Birthplace:
São Paulo, São Paulo, Brazil

Brazilian filmmaker João Victor Montuori was born in São Paulo, Brazil.  He most recognized works are INTERVENTIONS AND INTERFERENCES (2023), I Want, I Can't, I Won't (2023) and Las Flores Del Campo Santo (2025), all of them being screened in Europe, South America and North America. 26th Kinoarte Film Festival, 1st Athens Film Festival, 1st MUYUNA Fest, II Maravíllame are among the festivals his films were screened at.  In 2023, he was the only latin-american selected for the IFA Masterclass in Film Directing with Ruben Östlund, where he wrote, directed and edited I Want, I Can't, I Won't. In the next year, 2024, he returned for the Masterclass, now with Andrey Zvyagintsev as a teacher. Months later, was part of the Nouvelle Bug Vol. 3, hosted by Lago Film Fest. He also studied in ESCAC, one of the 15 best film schools in the world by The Hollywood Reporter. During his time in the film school, he Las Flores Del Campo Santo.  João is currently in production stage of his new short, Once Upon a Time In The Urinals...  Other credits as director includes Banca Tatuí (2024), The Divine Routine (2017), Tarantula (2019) and Black in White (2018).

Additional information:

The Search Form


Director:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Director of Photography:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Editor:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Producer:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Researcher:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Screenplay:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Sound Editor:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Sound Mixer:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Sound Recordist:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

Writer:
2017  The Divine Routine
2023  Autoportrait for IFA 10th Film Directing Masterclass
2023  I Want, I Can't, I Won't
2023  INTERVENTIONS AND INTERFERENCES
2024  Banca Tatuí
2025  Las Flores Del Campo Santo
????  Once Upon a Time In The Urinals...

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.