A work in constant progress (and occasional regress).
Birthplace:
Toronto, Canada
Born:
January 4, 2000
Reangsei Phos is an award winning Chinese-Cambodian-Canadian writer/director based in Toronto with over 180,000 followers. He has been featured on HYPEBEAST, VICE, and Represent Asian Project’s Asian Canadians to Watch in 2023 list. At 20 years old, his debut short film Talisman, premiered at the international film festival, NFFTY, winning the Audience Choice Award before being sold and distributed to ALTER. His next film, #StopAsianHate was created during the height of Asian-hate crimes and went viral on Instagram. Phos' commissioned short film by ZHIYUN, Man & Fish, went viral on TikTok gaining over 7 million views.
Director:
2022 Man & Fish
2022 Talisman
2024 All Bark Never Bite
Editor:
2022 Man & Fish
2022 Talisman
2024 All Bark Never Bite
Writer:
2022 Man & Fish
2022 Talisman
2024 All Bark Never Bite
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.