Home

Gemma Kane

Biography from TheMovieDB

Gemma is a graduate of the Gaiety School of Acting.  ​  She recently played the role of Tiger Lily & Liza in The Gate Theatre production of PETER PAN adapted by Roddy Doyle and directed by Ned Bennett.  Recent stage credits include THE IMPROV DIARIES directed by Ali Fox at this year's Scene & Heard Festival, ANIMALS (a reimagining of Orwell's Animal Farm) directed by Louise White at the Dublin Theatre Festival, the role of Sarah in her own critically acclaimed play 48 directed by Claire Maguire for No Desserts Theatre Company, Guildenstern in HAMLET directed by Joe Dowling for the Gaiety School of Acting, THIS IS NOT A CULT directed by Robbie O'Raw for No Desserts Theatre Company, Joni in Ali Hardiman's ELECTRIC directed by Clare Maguire for ILA Productions, DISCO PIGS directed by Tracey Ryan for Reality Productions (Irish Times Theatre Awards Best Ensemble), Michelle in SWEET SENSATIONS directed by Teri Fitzgerald at Dublin Fringe Festival, STAND UP FOR BASTARDS directed by Veronica Dyas at the Abbey Theatre, and Angelica in THE WISE WOUND directed by Philip O'Doherty for Gonzo Theatre Company.  Her screen credits include the role of Isla in Hallmark feature SCOTTISH AT HEART, the role of Linda in the feature film TWIG directed by Marian Quinn, Christine in short film COMMUNITY WATCH directed by Paudie Baggott, Netflix series VIKINGS: VALHALLA, Erica in her self-penned short THE REST IN JELLIES directed by Sean Clancy, Red in TV Series COLD COURAGE, TV series VIKINGS and short film THE WII FIT directed by Laura Way.  Gemma is based in Dublin.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Producer:
2021  The Rest in Jellies

Writer:
2021  The Rest in Jellies
2022  Community Watch

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.