A work in constant progress (and occasional regress).
Birthplace:
Koblenz, Germany
Born:
June 1, 1997
Martin Boosfeld is a german based filmmaker. He gained his first experience during various internships in film, television and theatre productions. Since then, he has worked for various production companies. Since 2015, he has also been working at the Youth Theatre in Koblenz, where he accompanies drama and musical productions as an assistant producer and assistant director.
Archival Footage Research:
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Assistant Director:
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Assistant Production Manager:
2019 Malou
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Director:
2019 Malou
2021 Dumpling Dreams
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Director of Photography:
2019 Malou
2021 Dumpling Dreams
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Floor Runner:
2019 Malou
2021 Dumpling Dreams
2022 Horst Lichter - Keine Zeit für Arschlöcher
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Production Assistant:
2019 Malou
2021 Dumpling Dreams
2022 Horst Lichter - Keine Zeit für Arschlöcher
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Gossip - Sounds Like Art
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Production Manager:
2019 Malou
2021 Dumpling Dreams
2022 Horst Lichter - Keine Zeit für Arschlöcher
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Gossip - Sounds Like Art
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Writer:
2019 Malou
2021 Dumpling Dreams
2022 Horst Lichter - Keine Zeit für Arschlöcher
2023 Colours We Paint
2024 Fast Nacht Schicht
2024 Fotoshooting DDR - Bilder zwischen Propaganda und Alltag
2024 Gossip - Sounds Like Art
2024 Kant - The Experiment of Freedom
2024 Keine glühende Asche
???? Gossip - Wie eine Band die Nuller Jahre umkrempelte
Assistant Unit Manager:
2023 Dear Child
Floor Runner:
2018 Lifelines
2023 Dear Child
2023 Two Sides of the Abyss
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.