A work in constant progress (and occasional regress).
Birthplace:
Lyon, Rhône, Rhône-Alpes, France
Born:
December 21, 1994
Antoine Mesnage, born in 1994, is a French director, photographer, and videographer from Annecy. Passionate about the mountains and outdoor sports since childhood, he discovered climbing at an early age thanks to his father. He then turned to slacklining and highlining, disciplines in which he excels and has practiced since adolescence. He notably competed in the French Slacklining Championships, where he placed eighth in 2014, before turning to more artistic and creative projects centered around images. After an initial career in marketing and experience as an athlete and content creator, he decided to move behind the camera to become a photographer and director. Today, he works with numerous outdoor brands and produces powerful visual content, highlighting the beauty and emotion of mountain sports. His highlining experience, which he has been practicing for over twelve years, nourishes his vision and aesthetic approach, allowing him to capture unique moments at altitude. Antoine Mesnage is known for his spectacular films and photographs, including "Arves en Ciel," a 26-minute documentary about crossing a 480-meter highline between the Aiguilles d'Arves, and "Des Équilibres," released in 2024, which explores highliners' quest for balance in extreme environments. He takes a committed approach, where images serve to convey the beauty of nature and inspire self-improvement. Today, photography and video are his main activities, while he continues to pursue his passion for highlining and adventure.
Cinematography:
2022 No Siesta - Christophe Dumarest & Tom Livingstone
Director:
2020 Arves-En-Ciel
2022 No Siesta - Christophe Dumarest & Tom Livingstone
2024 Des Équilibres
Editor:
2020 Arves-En-Ciel
2022 No Siesta - Christophe Dumarest & Tom Livingstone
2024 Des Équilibres
Writer:
2020 Arves-En-Ciel
2022 No Siesta - Christophe Dumarest & Tom Livingstone
2024 Des Équilibres
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.