A work in constant progress (and occasional regress).
Alias:
Mike McCusker
Birthplace:
USA
Born:
June 23, 1966
Michael "Mike" McCusker (born June 23, 1966) is an American film editor. He has been nominated twice for the Academy Award for Best Film Editing, for the Johnny Cash biopic Walk the Line (2005) and Ford v Ferrari (2019), winning the latter. McCusker frequently collaborates with director James Mangold.
Additional Editing:
2007 Fantastic Four: Rise of the Silver Surfer
2017 The Dark Tower
Additional Editor:
2004 The Day After Tomorrow
2007 Fantastic Four: Rise of the Silver Surfer
2011 Captain America: The First Avenger
2017 The Dark Tower
Editor:
2004 The Day After Tomorrow
2005 Walk the Line
2006 Walkout
2007 3:10 to Yuma
2007 Fantastic Four: Rise of the Silver Surfer
2008 Australia
2010 Hesher
2010 Knight and Day
2011 Captain America: The First Avenger
2013 The Wolverine
2014 Get on Up
2016 13 Hours: The Secret Soldiers of Benghazi
2016 The Girl on the Train
2017 Logan
2017 The Dark Tower
2017 The Greatest Showman
2018 Deadpool 2
2019 Ford v Ferrari
2020 Unhinged
2021 Sweet Girl
2023 Indiana Jones and the Dial of Destiny
First Assistant Editor:
2000 The Patriot
2001 Kate & Leopold
2004 The Day After Tomorrow
2005 Walk the Line
2006 Walkout
2007 3:10 to Yuma
2007 Fantastic Four: Rise of the Silver Surfer
2008 Australia
2010 Hesher
2010 Knight and Day
2011 Captain America: The First Avenger
2013 The Wolverine
2014 Get on Up
2016 13 Hours: The Secret Soldiers of Benghazi
2016 The Girl on the Train
2017 Logan
2017 The Dark Tower
2017 The Greatest Showman
2018 Deadpool 2
2019 Ford v Ferrari
2020 Unhinged
2021 Sweet Girl
2023 Indiana Jones and the Dial of Destiny
Editor:
2006 Men in Trees
2023 Faraway Downs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.