A work in constant progress (and occasional regress).
Birthplace:
Billings, Montana, USA
John Wesley DeWolfe is an Indigenous cinematographer and filmmaker specializing in narrative, documentary, and immersive media. An enrolled member of the Mni Wakan Oyate (Dakota Sioux) and the Navajo Nation. He has worked extensively in the camera and editorial departments on studio features and series for HBO, Netflix, Hulu, and Disney. He is a member of IATSE Local 600. As co-founder of the Cetaniyotanka Film Company, DeWolfe develops and produces projects that merge Indigenous narratives with modern cinematic language. His current work includes Tales of the Navajo, a cultural docu-series, and The Helios Project.
Camera Technician:
2020 News of the World
2023 Chupa
2023 Flamin' Hot
2024 Alien: Romulus
2024 Dune: Part Two
???? Canyon of the Dead
Cinematography:
2020 News of the World
2023 Chupa
2023 Flamin' Hot
2024 Alien: Romulus
2024 Dune: Part Two
2025 Obscura
???? Canyon of the Dead
Loader:
2020 News of the World
2023 Chupa
2023 Flamin' Hot
2024 Alien: Romulus
2024 Bleeding Love
2024 Dune: Part Two
2025 Obscura
???? Canyon of the Dead
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.