A work in constant progress (and occasional regress).
Alias:
Anna-Karin Ruisniemi
Anna-Karin Ruisniemi Nilsson
Born:
April 19, 1996
Ayelén Nilsson, originally named Anna-Karin Ruisniemi Nilsson, is a talented actress and makeup artist hailing from Sweden. She is recognized for her work in the films "I Want To See Gellivare Burn" (2019) and "How Does It Feel to Be Alive?" (2019). Ayelén was born in Piteå, a small city located in the northern region of Sweden. Her passion for acting sparked during her time at Luleå High School in 2011, where she studied theater. It was there that she developed a deep love for the craft. Seeking further education and growth, she made a move to Amarillo, Texas, in the United States, to pursue her studies in theater and choir. Following her time in the U.S., Ayelén returned to Sweden and undertook training to become an internationally recognized makeup artist and hairstylist. In 2023, Ayelén successfully completed the two-year Acting program at Kulturama and graduated from the institution. With her formal training in acting and her diverse skill set as a makeup artist and hairstylist, Ayelén is now ready to embark on her acting career with great enthusiasm and determination.
Casting:
2019 I Want to See Gellivare Burn
Casting Assistant:
2019 I Want to See Gellivare Burn
2022 Baby
Costume Designer:
2019 I Want to See Gellivare Burn
2022 Baby
Makeup Artist:
2019 I Want to See Gellivare Burn
2022 A Day After Work
2022 Baby
Makeup Designer:
2019 I Want to See Gellivare Burn
2022 A Day After Work
2022 Baby
Producer:
2019 I Want to See Gellivare Burn
2022 A Day After Work
2022 Baby
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.