A work in constant progress (and occasional regress).
Jayson Malhana started in the study of photography on YouTube at the age of 7, where he made videos and short films for more than 10 years. While he spend time in the platform, he developed an interest in digital and technologies which then led him to make films about consumerism as well as dependence on screens.
Assistant Director:
2024 Modèle
Cinematography:
2023 0.7/ E.D.E.N.
2024 Modèle
Director:
2023 0.7/ E.D.E.N.
2023 NFT FACTORY
2024 La Jetée 4: CAPTIF
2024 Modèle
2025 The Rōnin
???? La Jetée 5: World Cup Heroes
Director of Photography:
2023 0.7/ E.D.E.N.
2023 Le Bleu
2023 NFT FACTORY
2024 La Jetée 4: CAPTIF
2024 Modèle
2024 Premiers pas
2025 The Rōnin
???? Gérard en a marre !
???? La Jetée 5: World Cup Heroes
Editor:
2023 0.7/ E.D.E.N.
2023 Le Bleu
2023 NFT FACTORY
2024 La Jetée 4: CAPTIF
2024 Modèle
2024 Premiers pas
2025 The Rōnin
???? Gérard en a marre !
???? La Jetée 5: World Cup Heroes
Sound Designer:
2023 0.7/ E.D.E.N.
2023 Le Bleu
2023 NFT FACTORY
2024 La Jetée 4: CAPTIF
2024 Modèle
2024 Premiers pas
2025 The Rōnin
???? Gérard en a marre !
???? La Jetée 5: World Cup Heroes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.