Jeffrey Hartmann

A work in constant progress (and occasional regress).

Iñaki Oñate

Biography from TheMovieDB

IÑAKI OÑATE BIOFILMOGRAPHY: Iñaki Oñate (Quito, 1988). Graduated in Cinematography from the FUC (Cinema University), he has worked in direction, editing, script, music and sound design from his production company Undergofilms. He is finishing his Master's theses in Documentary Film at the FUC. Selected Filmography: - H-151: Perfect Machine (Official Selection San Francisco Latino Film Festival 2023) -Bocetos: Sobre La Guerra y La Peste-Sketches: About War and The Plague (Official Selection Assimetria Festival of Brazil 2023. Official Selection Meanwhile Cinema, Uruguay, 2023) - Garay (Selection Parallel Festival MAUAL Miradas y Memorias Latinoamericanas 2023, Brazil. Official selection Buenos Aires Red Blood Festival, section Historias del Terror 1, 2022, Argentina. Official selection Festival Edoc Ecuentros del Otro Cine, 2022, Ecuador). - Berenice Three Video Letters (Competitive Selection MAUAL Miradas y Memorias Latinoamericanas Festival 2023, Brazil. Official selection BAFICI, Buenos Aires International Independent Film Festival, Official Avant-garde and Gender Competition, 2022, Official Selection Assimetria Festival of Brazil, Special Mention from the Jury , 2022) -Electric Church (Special Mention of the Young Jury at the Buenos Aires Unusual Film Festival, 2016) -El Fin de la Película-The End of the Movie (Official Competition Buenos Aires Unusual Film Festival, Marché du Film Festival de Cannes, 2015). -Señor Dios del Insecto-Lord God of the Insect (Official Selection New York film and video festival, Official Selection Los Angeles Shortfest, 2007) -Rostros del Tiempo – Faces of Time (Official selection World Cinema Festival, Montréal, official selection Chicago Latino Film Festival, Official Selection Low.Budget Film Festival Havana, Cuba, Official Selection Short Circuit Latin Short Film Festival New York, 2007, EDOC Ecuador Festival, 2006) -La Máquina-The Machine (Official Selection Ibero-American Film Festival CERO LATITUD, Low.Budget Film Festival Havana, Cuba, 2006). His work as a graphic artist has been published in North American in the art magazine Art Market Magazine: https://pocketmags.com/art-market-magazine https://artmarketmag.com/

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Additional information:

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Film Performances

2023 H-151: Perfect Machine
Voice

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Film Production

Director:
2022  Berenice (Three Videoletters)
2023  Garay
2023  H-151: Perfect Machine
2023  Sketches: On War and The Plague
2024  Apuntes sobre la muerte de un cine
2024  Notes on the Death of A Cinema

Editor:
2022  Berenice (Three Videoletters)
2023  Garay
2023  H-151: Perfect Machine
2023  Sketches: On War and The Plague
2024  Apuntes sobre la muerte de un cine
2024  Notes on the Death of A Cinema

Producer:
2022  Berenice (Three Videoletters)
2023  Garay
2023  H-151: Perfect Machine
2023  Sketches: On War and The Plague
2024  Apuntes sobre la muerte de un cine
2024  Notes on the Death of A Cinema

Sound:
2022  Berenice (Three Videoletters)
2023  Garay
2023  H-151: Perfect Machine
2023  Sketches: On War and The Plague
2024  Apuntes sobre la muerte de un cine
2024  Notes on the Death of A Cinema

Writer:
2022  Berenice (Three Videoletters)
2023  Garay
2023  H-151: Perfect Machine
2023  Sketches: On War and The Plague
2024  Apuntes sobre la muerte de un cine
2024  Notes on the Death of A Cinema

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.