A work in constant progress (and occasional regress).
Alias:
松本良多
Birthplace:
Japan
Ryota Matsumoto is a Japanese artist, media theorist, and architect based in New York. Born in Tokyo, Japan, he is considered a godfather of the postdigital cutural movement. Matsumoto received his Master of Architecture degree from the University of Pennsylvania in 2007. He has also studied at the Architectural Association in London and Mackintosh School of Architecture at the Glasgow School of Art. Matsumoto has collaborated with various influential figures, including Peter Christopherson. Specifically, he worked with Christopherson on a Japanese Nike commercial and contributed to his first solo album, "Form Grows Rampant," as part of the Threshold Houseboys Choir. He has received numerous awards, including the Visual Art Open International Artist Award, Florence Biennale Mixed Media 2nd Place Award, and many others. His work is part of the permanent collection at the University of Texas at Tyler. His publications and interviews have been featured in a variety of journals and magazines such as Kalubrt Magazine, the University of North Carolina Wilmington Journal Palaver, Furtherfield.org, and International Artist Magazine. His multidisciplinary projects have been showcased in galleries like Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, and National Museum of Korea, among others. He has held solo exhibitions at BYTE Gallery Transylvania University in 2015, Los Angeles Center of Digital Art in 2016, and Alviani ArtSpace, Pescara in 2017.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.