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Doireann May White

Birthplace:
Ireland

Biography from TheMovieDB

Doireann is a graduate of the RADA BA in Acting. She recently appeared in the Rose Theatre productions of ROMEO & JULIET and RICHARD III. Prior to this she understudied the role of Mairead in a highly successful West End run of Martin McDonagh's THE LIEUTENANT OF INISHMORE alongside Aidan Turner and directed by Michael Grandage at the Wyndhams Theatre.  Other recent theatre roles include Ciara in Erica Murray's THE CAT'S MOTHER directed by Jackie Fisher for Wildcard Theatre, Miss Prism in THE IMPORTANCE OF BEING EARNEST and Jane Bennett in PRIDE & PREJUDICE directed by Nona Shepphard for Classic Cuts, Vicky in CHRISTMAS AT MILDRED'S directed by Rosie Jones for Dollygrip Productions, Olive Day in Mark O'Rowe's CRESTFALL directed by Sara Joyce for Whispering Beasts, Mari in THE SWEETHEARTS directed by Daniel Burgess for the Finborough Theatre, and Sara in THERE IS NO FAILURE, ONLY FEEDBACK directed by Dan Jennings for Huntley Street.  Roles in short films include the title role in MAEVE directed Alexander M. Martinez, Leah in THOSE WHO ARE LOST and the Girl in NOTHING SURROUNDED BY US directed by Sam McMullen, and Jackie in IMPACT directed by Ed Hicks. She also appeared in the role of Ciara in web series STALLING, directed by Bryan Moriarty and as Hazel in the RTE Storyland web series STUDENT/TEACHER, directed by Giles Brody.  Doireann is based in London.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.