A work in constant progress (and occasional regress).
Birthplace:
Kraków, Poland
Marcin Mazurek is a Polish composer for film, television and games based in London, UK. He has composed music for projects showcased at numerous international festivals and recognised at major industry awards, including the BAFTAs (winning Best Short Film 2025 with Rock, Paper, Scissors), Festival de Cannes (3rd Prize at La Cinef with Bunnyhood), One World Media Awards (1st Prize with Knife's Edge), IDA Documentary Awards, Sundance Film Festival, Tribeca Festival, BFI London Film Festival, Grierson Awards, and many more. His score for Rock, Paper, Scissors was nominated at the Hollywood Music in Media Awards. He also won a shared Royal Television Society Award with Bryony Lear for their work on the film's sound. His music for Bunnyhood has been nominated for Soundtrack Cologne's Peer Raben Music Award. He holds a Master’s degree in Composing for Film and Television from the UK’s National Film and Television School (NFTS). Marcin's works frequently feature innovative, live-recorded textures, processed in creative ways to craft unique, story-driven soundscapes. Full of experimentation, his compositions push boundaries to create immersive auditory experiences that enhance the emotional core of each project.
Music:
2024 Engage
Original Music Composer:
2016 The Last Walk: Northwest Territories
2021 A Social (Media) Construct
2022 Hope You Feel Better
2022 The Death of Anne Brontë
2022 The Investigators
2023 Bad Indian - the Villain Origin Story
2023 Hungry for Freedom
2023 Just A Weekend
2024 Bunnyhood
2024 Engage
2024 Knife's Edge
2024 Mile 24
2024 Nepotist
2024 Rise of the White Ibis
2024 Rock Paper Scissors
2024 The Bunker
2024 The Little Tattoo
2024 The Man on the Bus
2025 Something Real
???? A Dance to the Death
???? Love Garden
???? Nowhere Man
???? Tastes of the Past
???? The Peanut Vendors
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.