A work in constant progress (and occasional regress).
Alias:
Vinicius Pitanga
Vinícius Pitanga
Birthplace:
Niterói, Rio de Janeiro, Brazil
Born:
November 12, 1997
Vini Pitanga holds a degree in Phonographic Production from Estácio de Sá University and Cultural Production from the Federal Fluminense University (UFF). He also studied Sound for Cinema and TV at the International Academy of Cinema (AIC) and holds a ProTools 210p certification from Proclass Training. Currently, he is pursuing a postgraduate degree in Marketing and Audiovisual Production at ESPM and a bachelor's degree in Media Studies at UFF, where he is a PIBIC scholarship holder conducting research on Music in Lusophone Countries. With extensive experience in the music and audiovisual industries, Vini has worked as a composer, multi-instrumentalist drummer, music producer, mixing engineer, roadie, boom operator, and production sound mixer. In 2020, he was awarded in the Sound Design category at the Brazilian International Monthly Film Festival (BIMIFF) for the short film “Saturday Is Not a Day to Leave”. Some of the titles he has contributed to include "The Bottom of Our Hearts", "ReCaptcha", "Hat Night", "14-Hour Journeys", and "Punch by Punch". Musical production projects led by Vini have accumulated over 1 million streams on digital platforms, including works with Sávio, Mototáxi, Klitoria, Drapula, Açúcar Mascavo, Gabriel Fernandes, Mulheres que Correm com os Loucos, Dia de Greve, Última Gangue, and his trio Duane, Braga & Vini. In 2025, Vini plans to release his book “Practical Guide: From the Home Studio Onwards”, offering a technical and artistic perspective to young music producers, aiming to demystify the music production process.
Foley:
2023 reCaptcha
Sound Assistant:
2019 Saturday
2021 The Depth of Our Hearts
2023 reCaptcha
Sound Designer:
2019 Saturday
2021 The Depth of Our Hearts
2022 Jornadas de 14 Horas
2023 As Pequenas Partes de Mim
2023 reCaptcha
???? The incessant hammering in me
Sound Effects:
2019 Saturday
2021 The Depth of Our Hearts
2022 Jornadas de 14 Horas
2023 As Pequenas Partes de Mim
2023 reCaptcha
???? The incessant hammering in me
Sound Mixer:
2019 Saturday
2021 The Depth of Our Hearts
2022 Jornadas de 14 Horas
2023 As Pequenas Partes de Mim
2023 reCaptcha
2024 A Noite do Chapéu
???? The incessant hammering in me
Thanks:
2019 Saturday
2021 Quarta: Dia de Jogo
2021 The Depth of Our Hearts
2022 Jornadas de 14 Horas
2023 As Pequenas Partes de Mim
2023 reCaptcha
2024 A Noite do Chapéu
???? The incessant hammering in me
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.