A work in constant progress (and occasional regress).
Birthplace:
Monte Santo de Minas, Brazil
Born:
December 9, 1933
Died:
May 30, 2022
Milton Gonçalves (December 9, 1933 – May 30, 2022) was a Brazilian actor. He's one of the most famous black actors in Brazil, having collaborated twice with acclaimed director Hector Babenco. Gonçalves started his career in São Paulo, in an amateur group. As he moved to a professional group, he met Augusto Boal, who was looking for an actor to play an old black man. Joining Boal's Teatro de Arena, Milton Gonçalves found an open environment for political, philosophical and artistic discussion, where he was not discriminated for his race. Gonçalves wrote four plays, one of which was staged by the Teatro Experimental do Negro and directed by Dalmo Ferreira. "There I learnt everything I know about Theater. It was fundamental for my comprehension of the world." A Black Movement activist, Milton Gonçalves tried a political career, in the 1990s, as a candidate to Rio de Janeiro state governorship. Father of actor Maurício Gonçalves, he is married to Oda Gonçalves since 1966.
Co-Director:
1976 Escrava Isaura
Director:
1970 Irmãos Coragem
1971 O Homem Que Deve Morrer
1972 A Grande Família
1972 Vila Sésamo
1976 Escrava Isaura
1977 À Sombra dos Laranjais
Executive Producer:
1970 Irmãos Coragem
1971 O Homem Que Deve Morrer
1972 A Grande Família
1972 Vila Sésamo
1976 Escrava Isaura
1977 À Sombra dos Laranjais
1990 Gente Fina
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.