A work in constant progress (and occasional regress).
Birthplace:
São Paulo, Brazil
Born:
February 6, 1973
Died:
November 1, 2020
Neilton Veiga Júnior, better known as Tom Veiga, was a studio manager and executive producer of the program "Note e Anote" at Rede Record, which was presented by Ana Maria Braga. Before working on the show, he worked as a courier and as an ambulance driver, as well as helping organize events. Veiga met Ana Maria Braga around 1995. He organized artisan craft fairs that Ana Maria Braga would publicize in her show, "Note e Anote". After being invited to join the team, Veiga became a stage assistant. In March 1997, while Ana Maria Braga was stuck in traffic with her then husband, Carlos Madrulha, she told him she "needed a puppet to make a smoother transition", given that "Note e Anote" aired right after a children's show. She and Madrulha discussed possibilities and eventually settled on a parrot, as it is one of the few animals that can talk. The choice for the name was inspired by a real parrot owned by Ana Maria Braga, also called "Louro José". The name is a tribute to her father, Natale Giuseppe "José" Maffeis. On March 6, Louro José starred on national television. Many people were tried for the role of puppeteer, but no one seemed to fit the part well. Seeing a then 23-year-old Tom Veiga playing with the puppet, Ana Maria Braga temporarily put him in the role. In the first months, Veiga worked as both a stage assistant and puppeteer. When he was made effective as the parrot, he celebrated, saying: "my life has changed completely".
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.