A work in constant progress (and occasional regress).
Birthplace:
Mexico City, México
Born:
August 7, 2001
Samuel E. Martínez (born July 8, 2001), known professionally as Sam Martínez, is a Mexican writer-director, musician and producer who has worked primarily in the horror genre. Martínez is known for making violent, low budget horror bite-size films since 2014. Since late-2023 his career has taken a big screen path writing and directing the teen-slasher short film “Mis XV” 2024. He has started a career as an advertising creative director, making commercials such as “No es Hablar de Cine” 2024. Sam Martínez is the executive producer of the science fiction short film “Reiteración” 2024.
Director:
2024 Mis XV
2024 No es hablar de cine
Music:
2024 Mis XV
2024 No es hablar de cine
Producer:
2024 Mis XV
2024 No es hablar de cine
2024 Reiteración
Screenplay:
2024 Mis XV
2024 No es hablar de cine
2024 Reiteración
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.