A work in constant progress (and occasional regress).
Alias:
Gino de Sanctis
Giuseppe De Sanctis
Giuseppe Desantis
Giuseppe de Santis
Joe de Santis
Джузеппе Де Сантис
Birthplace:
Fondi, Lazio, Italy
Born:
February 11, 1917
Died:
May 16, 1997
Giuseppe De Santis (11 February 1917 – 16 May 1997) was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform. In 1942, De Santis collaborated on the script for Ossessione, Luchino Visconti's debut film, which is usually considered one of the first neo-realist films. His third film Bitter Rice (1950), the story of a young woman working in the rice fields who must choose between two socially disparate suitors, made a star of Silvana Mangano and was a landmark of the new cinematic style. It also earned De Santis an Academy Award nomination for Best Original Story.
Assistant Director:
1944 Obsession
Dialogue:
1944 Obsession
Director:
1944 Obsession
1945 Days of Glory
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Days of Love
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
Original Film Writer:
1944 Obsession
1945 Days of Glory
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Days of Love
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
2017 National Theatre Live: Obsession
Producer:
1944 Obsession
1945 Days of Glory
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Days of Love
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
2017 National Theatre Live: Obsession
Screenplay:
1944 Obsession
1945 Days of Glory
1946 Desire
1946 Outcry
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Angels of Darkness
1954 Days of Love
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
2017 National Theatre Live: Obsession
Story:
1944 Obsession
1945 Days of Glory
1946 Desire
1946 Outcry
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Angels of Darkness
1954 Days of Love
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1963 The Visitor
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
2017 National Theatre Live: Obsession
Writer:
1944 Obsession
1945 Days of Glory
1946 Desire
1946 Outcry
1947 Tragic Hunt
1949 Bitter Rice
1950 Under the Olive Tree
1952 Rome 11:00
1953 A Husband for Anna
1954 Angels of Darkness
1954 Days of Love
1957 Engaged to Death
1957 Men and Wolves
1958 The Year Long Road
1960 The Apartment
1963 The Visitor
1964 Attack and Retreat
1972 One Appreciated Professional of Sure Future
2017 National Theatre Live: Obsession
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.