John Eppler (1914-1999)

Alias:
Johannes Eppler

Birthplace:
Alexandria, Egypt

Born:
January 1, 1914

Died:
August 15, 1999

Johannes Eppler (1914–1999), also known as Hans Eppler, John Eppler, and Hussein Gaafer, was a World War II Abwehr spy, a German who had been raised in Egypt by his Egyptian stepfather. One of Rommel's spies during the North African campaign in World War II, Operation Salaam led by László Almásy spirited Eppler and Hans-Gerd Sandstede into Cairo although they were both arrested soon after arrival in July 1942. Eppler is the subject of MI5 file KV 2/1467.  After World War II, Eppler told dramatic stories about his spy exploits during the war, but historians have shown that his actual work was ineffective and amateurish.  Eppler and a colleague, disguised as British officers, infiltrated Cairo and made contact with the Free Officers movement, who were attempting to defect to the Axis. Their plans ultimately fell through and Eppler and future Egyptian president Anwar Sadat were imprisoned together. According to Sadat, Eppler was visited in his cell by Winston Churchill in 1942 and offered leniency in exchange for a full confession.  Eppler is the subject of a book by Leonard Mosley, The Cat and the Mice, and is again referenced in Mosley's The Druid. Eppler and his radio operator Sandstede are played by Adrian Hoven and Neil McCallum in the British film of The Cat and the Mice, retitled Foxhole in Cairo (1960) (although Sandstede is renamed Sandy).  Another depiction of Eppler's exploits is in the German film Rommel Calls Cairo (1959) based upon Eppler's book of the same name. In this film, Eppler is again portrayed by Adrian Hoven.  Eppler portrayed Rommel in the French film Le Mur de l'Atlantique (1970).  The film and novel The English Patient also reference Operation Salaam and Eppler's activities.  Eppler's history is the same as that of the character Alexander (Achmed) Wolff, the Cairo spy in Ken Follett's "The Key to Rebecca" (1980).  Source: Article "Johannes Eppler" from Wikipedia in English, licensed under CC-BY-SA.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.