A work in constant progress (and occasional regress).
Birthplace:
København, Danmark
Born:
December 29, 1942
Camera Operator:
1977 Christiania
Cinematography:
1969 Gitte i april
1971 Dear Irene
1971 En mand
1974 Dušan Makavejev
1975 Cobra et après
1977 Christiania
1980 Børn på hospital
1988 Opløsning
1990 A Modern Woman
1995 Cirkus Ildebrand
Director of Photography:
1969 Gitte i april
1971 Dear Irene
1971 En mand
1973 The Escape
1974 Dušan Makavejev
1975 Cobra et après
1975 Per
1977 Boys
1977 Christiania
1978 Christmas by Your Friends
1980 Børn på hospital
1984 Bakom jalusin
1986 Burning Hearts
1987 Sorg-agre
1988 Opløsning
1990 A Modern Woman
1990 Spring Tide
1993 Stolen Spring
1995 Cirkus Ildebrand
1997 A Scent of Paradise
1998 On Our Own
1998 The Blue Monk
1999 Love at First Hiccough
1999 The Magnetist’s Fifth Winter
2004 Lost Generation
2005 The Anatomy of Evil
2007 The Black Pimpernel
2007 To Each His Own Cinema
2012 Marie Kroyer
2014 Silent Heart
2018 A Fortunate Man
Screenplay:
1969 Gitte i april
1971 Dear Irene
1971 En mand
1973 The Escape
1974 Dušan Makavejev
1975 Cobra et après
1975 Per
1977 Boys
1977 Christiania
1978 Christmas by Your Friends
1980 Børn på hospital
1984 Bakom jalusin
1986 Burning Hearts
1987 Sorg-agre
1988 Opløsning
1990 A Modern Woman
1990 Spring Tide
1993 Stolen Spring
1995 Cirkus Ildebrand
1997 A Scent of Paradise
1998 On Our Own
1998 The Blue Monk
1999 Love at First Hiccough
1999 The Magnetist’s Fifth Winter
2004 Lost Generation
2005 The Anatomy of Evil
2007 The Black Pimpernel
2007 To Each His Own Cinema
2012 Marie Kroyer
2014 Silent Heart
2018 A Fortunate Man
Camera Supervisor:
2018 A Fortunate Man
Cinematography:
2003 Defense
2006 Anna Pihl
2013 Seaside Hotel
2018 A Fortunate Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.