A work in constant progress (and occasional regress).
Birthplace:
Kristianstad, Kristianstad län, Sweden
Born:
February 21, 1881
Died:
April 21, 1964
Einar Nilson (1881–1964) was a Swedish-American composer, conductor, and musical director known for his work in theater and film. Born in Kristianstad, Sweden, Nilson displayed musical talent from an early age, playing violin in a family trio with his father and brother. His passion for music led him to study at the Royal College of Music in Stockholm before continuing his education in Berlin, where he became associated with the renowned theater director Max Reinhardt. As chief conductor and head of the music department for Reinhardt’s productions, Nilson played a crucial role in shaping the musical landscape of European theater in the early 20th century. He composed and arranged music for numerous stage productions, including Jedermann (Everyman), which became a staple of the Salzburg Festival for decades. His career took him across Europe and the United States, where he eventually settled in the 1930s and became a U.S. citizen. In Hollywood, Nilson worked in the film industry, notably collaborating with Warner Bros. One of his film contributions came in the 1946 film Deception, directed by Irving Rapper, where he coached actor Claude Rains in orchestral conducting for his role as a composer. Nilson also made an uncredited cameo in the film, conducting the orchestra in a pivotal scene featuring Erich Korngold’s Cello Concerto. Beyond his theatrical and cinematic work, Nilson’s compositions and arrangements reflected his deep understanding of classical and contemporary music, often bridging the worlds of theater, film, and symphonic performance. He continued working in music until his retirement in 1960, passing away in Hollywood in 1964.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.