A work in constant progress (and occasional regress).
Alias:
鈴木祐介
Director:
2020 Shitamachi Ninkyoden Hawk
Executive Producer:
2020 Shitamachi Ninkyoden Hawk
2021 OSAKAYAMIKIN-02
2022 Bad City
2022 Naniwa Kinyudo - Haibara knocks on the door of Imperial Finance!
2022 The World of Shura
2022 The World of Shura 2
2022 The Y-Team
2022 ナニワ金融道 2発目〜銭と泪と権利と女〜
2022 ナニワ金融道 3発目~大蛇市マネーウォーズ~
2023 Dependence
2023 Joshurei
???? STRANGER
Producer:
2020 Shitamachi Ninkyoden Hawk
2021 OSAKAYAMIKIN-02
2022 Bad City
2022 Naniwa Kinyudo - Haibara knocks on the door of Imperial Finance!
2022 The World of Shura
2022 The World of Shura 2
2022 The Y-Team
2022 ナニワ金融道 2発目〜銭と泪と権利と女〜
2022 ナニワ金融道 3発目~大蛇市マネーウォーズ~
2023 Dependence
2023 Joshurei
2024 Baby Assassins: Nice Days
2024 Ghost Killer
???? STRANGER
Executive Producer:
2022 Nihontouitsu Hokkaido
Producer:
2022 Nihontouitsu Hokkaido
2024 Baby Assassins Everyday!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.