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Jean-Paul Bernard

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Film Production

Sound:
1995  Attention fragile
2023  Clémenceau, la force d'aimer
2023  Mort sur la piste

Sound Director:
1995  Attention fragile
2011  Low Cost
2023  Clémenceau, la force d'aimer
2023  Mort sur la piste

Sound Engineer:
1995  Attention fragile
2001  Te quiero
2011  Low Cost
2019  Vagabondes
2023  Big Kids
2023  Clémenceau, la force d'aimer
2023  Mort sur la piste

Sound Mixer:
1995  Attention fragile
1996  La vida privada
1998  Soul Ache
2001  Te quiero
2007  Fragile(s)
2007  The House
2010  93, la belle rebelle
2011  Low Cost
2012  The Other Son
2017  Knock
2019  School Life
2019  Vagabondes
2023  Big Kids
2023  Clémenceau, la force d'aimer
2023  Mort sur la piste

Sound Recordist:
1995  Attention fragile
1996  La vida privada
1998  Soul Ache
2001  Te quiero
2007  Fragile(s)
2007  The House
2010  93, la belle rebelle
2011  Low Cost
2012  The Other Son
2017  Knock
2019  School Life
2019  Vagabondes
2020  Malmkrog
2023  Big Kids
2023  Clémenceau, la force d'aimer
2023  Mort sur la piste

Click the heading above to show or hide the list.

TV Production

Sound:
2022  À la folie

Sound Director:
1990  Les Sales Histoires
2022  À la folie

Sound Mixer:
1990  Les Sales Histoires
2022  À la folie
2024  Nudes

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.