A work in constant progress (and occasional regress).
Sound:
1955 Ihr Leibregiment
1955 The Rats
1956 Die Stimme der Sehnsucht
1956 Ein Herz schlägt für Erika
1956 Liebe
1956 Musikparade
1957 Die Unschuld vom Lande
1958 Voyage to Italy, Complete with Love
1959 Notes from a Gynecologist's Diary
1959 The Indian Tomb
1959 The Tiger of Eschnapur
1960 Sabine und die hundert Männer
1961 The Marriage of Mr. Mississippi
1961 Und sowas nennt sich Leben
1962 Only a Woman
1963 The Black Abbot
1964 Room 13
1964 The Mysterious Magician
1965 Again the Ringer
1976 Der Tänzer Heinz Bosl
Sound Designer:
1955 Ihr Leibregiment
1955 The Rats
1956 Die Stimme der Sehnsucht
1956 Ein Herz schlägt für Erika
1956 Liebe
1956 Musikparade
1957 Die Unschuld vom Lande
1958 Girls in Uniform
1958 Voyage to Italy, Complete with Love
1959 Notes from a Gynecologist's Diary
1959 The Indian Tomb
1959 The Tiger of Eschnapur
1960 Sabine und die hundert Männer
1961 The Marriage of Mr. Mississippi
1961 Und sowas nennt sich Leben
1962 Only a Woman
1963 The Black Abbot
1964 Room 13
1964 The Curse of the Hidden Vault
1964 The Mysterious Magician
1965 Again the Ringer
1976 Der Tänzer Heinz Bosl
Sound Director:
1955 Ihr Leibregiment
1955 The Rats
1956 Die Stimme der Sehnsucht
1956 Ein Herz schlägt für Erika
1956 Liebe
1956 Musikparade
1957 Die Unschuld vom Lande
1957 Siebenmal in der Woche
1958 Girls in Uniform
1958 Voyage to Italy, Complete with Love
1959 Notes from a Gynecologist's Diary
1959 The Indian Tomb
1959 The Tiger of Eschnapur
1960 Sabine und die hundert Männer
1961 The Marriage of Mr. Mississippi
1961 Und sowas nennt sich Leben
1962 Only a Woman
1963 The Black Abbot
1964 Room 13
1964 The Curse of the Hidden Vault
1964 The Mysterious Magician
1965 Again the Ringer
1976 Der Tänzer Heinz Bosl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.