Julie Groll

Alias:
Julie M. Groll

Julie Groll is a visual effects producer at Sony Pictures Imageworks, based in Los Angeles. With an academic background that includes a B.S. in biomedical engineering and art theory & practice from Northwestern University and a certificate from the Gnomon School of Visual Effects, she entered the VFX industry after discovering her passion during a Disney World internship.  In her early career, Groll worked at Threshold Digital, contributing to a range of visual experiences—from themed attractions like “Glory of Creation” for the Crystal Cathedral and Seaworld’s “Fountain and Fireworks” in Orlando, to major film projects such as Spider‑Man 2, and multimedia Disney attractions including Star Trek: The Experience: Borg Invasion 4D, Space Mountain, and Mission: Space. She then served as an associate production manager on Beowulf before moving on to roles as digital production manager at Sony Pictures Imageworks, where she supported high‑profile films like Cloudy with a Chance of Meatballs, Oz the Great and Powerful, Alice Through the Looking Glass—spending months on location in London—Edge of Tomorrow, and The Smurfs.  As a VFX producer, Groll has overseen work on a broad spectrum of major releases, including The Emoji Movie, Storks, Spider‑Man: Far from Home, and Lucky 13, as well as contributing to Netflix’s animated anthology Love, Death & Robots, and most recently Red One (2024).  Groll is an active and engaged member of both the Producers Guild of America and the Visual Effects Society.

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Visual Effects Producer:
2019  Love, Death & Robots

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.