A work in constant progress (and occasional regress).
Born:
May 13, 1996
James Basham is a filmmaker based in Fayetteville, Arkansas, known for his passion for classic dialogue and vintage aesthetics. With a knack for capturing the essence of past eras, James's work reflects a deep appreciation for the storytelling of the 1940s, 50s, and 60s. He specializes in the Western and noir genre, aiming to transport viewers to a bygone era with his distinct cinematic voice and storytelling. James has created several short films and with a portfolio that includes feature scripts and a TV pilot.
Co-Producer:
2018 The Screen
2023 The Skull and the Arm
Director:
2018 The Screen
2023 The Skull and the Arm
???? Frank
???? Never Trust A Milkman Who Winks At You
Producer:
2017 Downer
2018 The Screen
2023 The Skull and the Arm
???? Frank
???? Never Trust A Milkman Who Winks At You
Sound Mixer:
2017 Downer
2018 The Screen
2019 In My Dreams
2023 The Skull and the Arm
???? Frank
???? Never Trust A Milkman Who Winks At You
Writer:
2017 Downer
2018 The Screen
2019 In My Dreams
2023 The Skull and the Arm
???? Frank
???? Never Trust A Milkman Who Winks At You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.