A work in constant progress (and occasional regress).
Birthplace:
Las Cruces, New Mexico, USA
Born:
February 20, 1991
Matthew is a camera operator for productions that have been held worldwide. He is a Army veteran that graduated with honors from Grand Canyon University in the art of digital film production to include a minor in acting. Matthew has also been an instructor of video arts and sciences at various universities or institutions.
Additional Camera:
2024 Wanted Man
Additional Second Assistant Camera:
2017 Hangman
2024 Wanted Man
BTS Videographer:
2017 Hangman
2022 No Disintegrations
2024 Wanted Man
Camera Operator:
2017 Hangman
2022 No Disintegrations
2023 Squealer
2024 Wanted Man
Second Unit Cinematographer:
2017 Hangman
2018 Tag
2022 No Disintegrations
2023 Squealer
2024 Wanted Man
Additional Second Assistant Camera:
2017 Ozark
Assistant Camera:
2017 Ozark
2017 Superstition
2017 Valor
2018 Black Lightning
Camera Operator:
2005 Dancing with the Stars
2009 30 for 30
2017 Ozark
2017 Superstition
2017 Valor
2018 Black Lightning
2018 Love After Lockup
2021 Sometimes When We Touch
2022 Adam Eats the 80s
2022 BTK: Confession of a Serial Killer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.