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Katy Jurado (1924-2002)

Alias:
Katty Jurado
María Cristina Estela Marcela Jurado García
کتی هورادو

Birthplace:
Guadalajara, Jalisco, Mexico

Born:
January 16, 1924

Died:
July 5, 2002

Biography from TheMovieDB

Katy Jurado (16 January 1924 – 5 July 2002), born María Cristina Estela Marcela Jurado García, was a Mexican stage and screen actress.  Jurado had already established herself as an actress in Mexico in the 1940s when she came to Hollywood becoming a regular in Western films of the 1950s and 1960s. She worked with many Hollywood legends, including Gary Cooper in High Noon, Spencer Tracy in Broken Lance, and Marlon Brando in One-Eyed Jacks, and such respected directors as Fred Zinneman (High Noon), Sam Peckinpah (The Wild Bunch and Pat Garrett and Billy the Kid) and John Huston (Under the Volcano).  Jurado made seventy one films during her career. She became the first Latina/Hispanic actress nominated for an Academy Award when she was nominated as Best Supporting Actress for her work in 1954's "Broken Lance" and was the first to win a Golden Globe. Like many Latin actors, she was typecast to play ethnic roles in American films. By contrast, she had a greater variety of roles in Mexican films; sometimes she also sang and danced.

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Film Performances

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Film Production

Thanks:
1987  Grace Kelly: The American Princess

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TV Performances

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.