Sergio Núñez (b. 2000)

Alias:
Sergio Nugar

Birthplace:
Aranjuez, Madrid, Spain

Born:
December 2, 2000

Born in Aranjuez, Madrid in 2000. Sergio Núñez is an inveterate cinephile who has studied Film History at UC3M in Madrid and Film Heritage at UCM. His knowledge of the film world has allowed him to work as a film programmer at Filmoteca Española. As a short filmmaker, he has a wide career of very diverse stylistic nature, based on his very broad and disparate cinematographic tastes, ranging from short films that pay homage to American B-movies such as "With this hair...." through spaghetti westerns with Una pantera con gli occhi di neve, to the recent multi-award winning drama Seré tus ojos, winner of the Faciuni International University Film Festival in Los Angeles, for which he won a scholarship to study at the University Southern of California and a collaboration with the Sundance Foundation. He was a finalist in festivals such as Cinema Jove (Valencia), Suroscopia (Córdoba), Enea Short Film Awards (Seville) and Festival di Cinema di Cefalú (Sicily). After its diverse international tour, Amazon Prime Spain, through the Shorts.TV channel, bought its exhibition rights.  With 8mm away he has sought, through certain biographical influences, to make a tribute to cinema in which to reflect his absolute passion for the seventh art.

Additional information:

The Search Form


Director:
2021  I'll Be Your Eyes
2022  8mm of Distance

Screenplay:
2021  I'll Be Your Eyes
2022  8mm of Distance

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.