Pedro Avellar (b. 2003)

Birthplace:
Brasília, Distrito Federal, Brazil

Born:
May 17, 2003

Director, Producer, and Assistant Director. He is a Technician in Audio and Video Production, graduated from the Federal Institute of Brasília (IFB), and a student of cinema and digital media at IESB. He has been working in the field since 2021, participating in the production of short films, feature films, and television series. His works include directing the short films "Distrito 21" and "Rachadura"; producing the short film "Retorno"; being an Assistant Director for the films "A Mula", "Novo Livro Velho", and "VideoDeus"; serving as Executive Production Assistant for the feature film “Joãozinho” and Assistant Director for the feature film "EntreQuadras". He is also the showrunner and director of the series "Diário Panóptico".

Additional information:

The Search Form


Assistant Director:
2024  New Old Book
2024  Video Deus
????  Fuga Sob Céu Claro

Director:
2024  New Old Book
2024  Video Deus
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Executive Producer:
2024  New Old Book
2024  Return
2024  Video Deus
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Producer:
2024  New Old Book
2024  Return
2024  Video Deus
2025  Miasmata
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Producer's Assistant:
2024  New Old Book
2024  Return
2024  Video Deus
2025  Miasmata
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Production Director:
2024  New Old Book
2024  Return
2024  Video Deus
2025  Miasmata
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Screenplay:
2024  New Old Book
2024  Return
2024  Video Deus
2025  Miasmata
????  District 21
????  Fissure
????  Fuga Sob Céu Claro

Creator:
2025  Panoptic Diary

Director:
2025  Panoptic Diary

Editor:
2025  Panoptic Diary

Producer:
2025  Panoptic Diary

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.