Julián Enriquez (b. 2003)

Birthplace:
Buenos Aires, Argentina

Born:
December 21, 2003

Julián Enriquez was born in Buenos Aires in 2003. From an early age, he developed an interest in literature, music, and religions. He is currently studying Film Editing at ENERC and Psychology at UBA.  As a director, he has made the short films "No hay tiempo" (2022) and "La Espera" (2023), which have been selected in more than fifteen international festivals, as well as a trilogy in 2024 consisting of "Quietud," "Variaciones," and "Movimiento." His experience as an editor focuses on short films and music videos, and he has also assisted in the production of several feature films. His work explores the relationships with time and nature, using everyday life scenarios to address psychological and existential themes.

Additional information:

The Search Form


Director:
2023  There's no time
2024  Waiting
????  Stillness

Editor:
2022  Medalla Milagrosa
2023  There's no time
2024  Encontrando a Jessica
2024  Posdata
2024  Waiting
????  Stillness

Title Designer:
2022  Medalla Milagrosa
2023  El lugar de Nora
2023  There's no time
2024  Encontrando a Jessica
2024  Posdata
2024  Waiting
????  Stillness

Writer:
2022  Medalla Milagrosa
2023  El lugar de Nora
2023  There's no time
2024  Encontrando a Jessica
2024  Posdata
2024  Waiting
????  Stillness

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.