A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
March 3, 1912
Died:
August 11, 1999
Robert Dorfmann (3 March 1912 – 11 August 1999) was a French film producer who worked from the 1950s to the 1970s. He is the father of French film producer Jacques Dorfmann. His notable films include Luis Buñuel's Tristana (1970), Jean-Pierre Melville's Le cercle rouge (1970), Jacques Tati's Trafic (1971) and Papillon (1973). He was awarded an Honorary César in 1978. He was involved with the French production and distribution company Les Films Corona. Source: Article "Robert Dorfmann" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Co-Producer:
1961 Last Year at Marienbad
1971 A Lizard in a Woman's Skin
1971 The Iguana with the Tongue of Fire
Executive Producer:
1961 Last Year at Marienbad
1971 A Lizard in a Woman's Skin
1971 Red Sun
1971 The Iguana with the Tongue of Fire
Producer:
1950 Justice Is Done
1950 Miquette
1951 Without Leaving an Address
1952 Forbidden Games
1952 Three Women
1954 Air of Paris
1954 Touchez Pas au Grisbi
1955 Magic Village
1955 The Best Part
1957 Young Girls Beware
1961 Last Year at Marienbad
1962 Les Culottes rouges
1963 My Wife's Husband
1963 Nutty, Naughty Chateau
1963 The Bamboo Stroke
1965 How to Keep the Red Lamp Burning
1965 The Sucker
1966 Don't Look Now... We're Being Shot At!
1968 Manon 70
1968 The Great Silence
1968 The Little Bather
1968 The Most Beautiful Month
1968 Woman in Chains
1969 The Christmas Tree
1969 The Sisters
1970 Cold Sweat
1970 Le Cercle Rouge
1970 Road to Salina
1970 The Confession
1970 Tristana
1971 A Lizard in a Woman's Skin
1971 Red Sun
1971 The Deadly Trap
1971 The Iguana with the Tongue of Fire
1971 Trafic
1972 A Cop
1973 Papillon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.