A work in constant progress (and occasional regress).
Alias:
Pepe
Tony
Student at the National School of Cinematographic Arts, UNAM, enrolled in 2021. He has been interested in sound throughout his career, which is why he is specializing in sound design and mixing. In addition to doing sound design for several student short films, he have composed original music for film projects. He have participated in seminars and courses focused on sound experimentation, gaining knowledge in numerous programs of this kind.
Boom Operator:
2023 Ángel
Director:
2023 Ángel
2024 Axolotl
Editor:
2023 The Night
2023 Ángel
2024 Axolotl
Music:
2023 The Night
2023 Ángel
2024 Axolotl
2024 The Mermaid
Post Producer:
2023 The Night
2023 Ángel
2024 Axolotl
2024 The Mermaid
Producer:
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 The Mermaid
Screenplay:
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 The Mermaid
Script Supervisor:
2023 Self-Complacency
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 The Mermaid
Sound Assistant:
2023 Self-Complacency
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 Good morning, Margarita
2024 The Mermaid
Sound Editor:
2023 Empty Shelves
2023 Self-Complacency
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 Good morning, Margarita
2024 The Mermaid
Sound Mixer:
2023 Empty Shelves
2023 Self-Complacency
2023 The Night
2023 Ángel
2024 Axolotl
2024 Genderless
2024 Good morning, Margarita
2024 The Mermaid
Sound Recordist:
2023 Empty Shelves
2023 Self-Complacency
2023 The Night
2023 Through the Window
2023 Ángel
2024 Axolotl
2024 Genderless
2024 Good morning, Margarita
2024 The Mermaid
2024 The Noise of Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.