A work in constant progress (and occasional regress).
Alias:
Emma
Birthplace:
Ciudad de México, México
Born:
June 25, 2001
Emmanuel García Galindo is a Film student at the National School of Cinematographic Arts (ENAC) at UNAM. During his academic training, Emmanuel completed the Diploma in Altrafilm Cinematography at Churubusco Studios. Subsequently, he received a scholarship to specialize in cinematography at the Facultad de Cine school. His studies in cinematography and his admission to the Faculty of Arts and Design at UNAM have allowed him to carry out different projects. In 2021, Emmanuel entered the National School of Cinematographic Arts, allowing him to continue his training as a filmmaker and post-producer, performing jobs. In 2023 he directed his first short film with the School called "Wanted".
Assistant Camera:
2023 Through the Window
2024 The Noise of Time
Assistant Editor:
2023 Through the Window
2024 The Noise of Time
Colorist:
2023 Drowning
2023 Through the Window
2024 The Noise of Time
Director:
2023 Drowning
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Director of Photography:
2023 Drowning
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Editor:
2023 Drowning
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Screenplay:
2023 Drowning
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Sound Editor:
2023 Drowning
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Sound Mixer:
2023 Drowning
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Sound Recordist:
2023 Drowning
2023 Self-Complacency
2023 Through the Window
2023 Wanted
2024 The Noise of Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.